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Sabtu, 21 April 2012

Descriptive Text


Borobudur Temple

Borobudur is Hindu – Budhist temple. It was build in the nineth century under Sailendra dynasty of ancient Mataram kingdom. Borobudur is located in Magelang, Central Java, Indonesia.

Borobudur is well-known all over the world. Its construction is influenced by the Gupta architecture of India. The temple is constructed on a hill 46 m high and consist of eight step like stone terrace. The first five terrace are square and surrounded by walls adorned with Budist sculpture in bas-relief. The upper three are circular. 

Each of them is with a circle of bell shape-stupa. The entire adifice is crowned by a large stupa at the centre at the centre of the top circle. The way to the summit extends through some 4.8 km of passage and starways. The design of borobudur which symbolizes the structure of universe influences temples at Angkor, Cambodia.

Borobudur temple which is rededicated as an Indonesian monument in 1983 is a valuable treasure for Indonesian people.

Participal Adjectives


PARTICIPIAL ADJECTIVES
-Ing and -Ed
related to emotive verbs

 Past participles (-ed) are used to say how people feel.
-ED participle refers to the experiencer (the one feeling the emotion)
Present participles (-ing) are used to describe the people or things that cause the feelings.

-Ing participle refers to the actor (the one/thing causing the emotion)
The lesson interests Anne.Anne is very interested in the lesson.The lesson is interesting (to Anne).
Sports interest Max.Max is interested in sports.He’s a very interested basketball fan.Sports are interesting (to Max).
One very interesting sport is basketball.
The movie bored Bob.Bob was bored by the movie.Bib didn’t enjoy the movie because it wasboring.
Slapstick comedy doesn't amuse Corin.Corin is not amused by slapstick comedy.He is an unamused victim.Slapstick isn't amusing (to Corin).However, she does like other amusing forms of comedy.
John’s loud stereo annoys his neighbors.John’s neighbors are annoyed by his loud stereo.Several annoyed neighbors complained to the manager.John’s loud stereo is annoying (to his neighbors).They have had enough annoying noise for one weekend.

Other participial adjectives of this type
amazed
amused
annoyed
bored
charmed
confused
convincing
damaged
depressed
disappointed
embarrassed
excited
amazing
amusing
annoying
boring
charming
confusing
convincing
damaging
depressing
disappointing
embarrassing
exciting
exhausted
fascinated
frightened
frustrated
interested
puzzled
relaxed
satisfied
shocked
terrified
tired
thrilled
exhausting
fascinating
frightening
frustrating
interesting
puzzling
relaxing
satisfying
shocking
terrifying
tiring
thrilling


Other aspects of active and passive participles
(from Swan’s Practical English Usage)
When -ing forms are used like adjectives or adverbs, they have similar meanings to active verbs.falling leaves
a meat-eating animal
She walked out smiling.
(= leaves that fall)
(= an animal that eats meat)
(= She was smiling)
Most past participles have passive meanings when they are used like adjectives or adverbs.broken heart.He lived alone, forgotten by everybody.(= a heart that has been broken)(= He had been forgotten by everybody.)
Exceptions: active past participles

A few intransitive verbs have past participles that can be used as adjectives with active meanings, especially before nouns.fallen leaf
advanced students


developed countries
increased activity
vanished civilizations
retired general
(=a leaf that has fallen)
(=students who have advanced to a high level, not students who have been advanced...)
grown-up daughter
and escaped prisoner
faded colors
swollen ankles
Some more past participles can only be used in this way in phrases with adverbs.a well-read person
much-traveled man
recently-arrived immigrants
(but not read person)
Worry can be used actively and passively.worry about you.I’m worried about you.

Romantic Poem


The Meaning Of Love

Love is
being happy for the other person
when they are happy
being sad for the person
when they are sad
being together in good times
and being together in bad times
Love is the source of strength

Love is
being honest with yourself at all times
being honest with the other person at all times
telling, listening, respecting the truth
and never pretending
Love is the source of reality

Love is
an understanding so complete that
you feel as if you are a part
of the other person
accepting the other person
just the way they are
and not trying to change them
to be something else
Love is the source of unity

Love is
the freedom to pursue your own desires
while sharing your experiences
with the other person
the growth of one individual alongside of
and together with the growth
of another individual
Love is the source of success

Author Unknown 

Love Quotes

He came to her on a starry night
Her the lady, he the knight
And knelt before her on the ground
Her hands within his own he bound
And gazed into her starlit eyes
Illuminated by the lunar rise
And smiling, produced to her a ring
A trinket to most, a trifled thing
And said to her those words she dreamed
And faltered not, although it seemed
He would.

And she, exuberant, looking down
Could not recall when last she'd frowned
Though tears flowed freely down her face
And settled on her moonlit lace
Her face bespoke rapturous elation
Outshining God's surrounding creations
And opening her delicate mouth
One whispered word made to slip out
And soared across the enchanted night
And on his ears it made to alight
With growing cheer upon its advent
His heart soared forth whenst it gained the content
And all doubts dashed he embraced her dearly
For though it seemed unlikely,
She would.

And spinning upon that ghostly hill
That gorgeous spine of earth instilled
It seemed, with all the wonder of the world
This dear young couple their hearts unfurled
And then, exuberance smiting his face
He stepped away to leave her place
She glanced and questioned lovingly
Where go thou now, my dearest sweet?
And to the world his voice he hurled
"I think, my dear, I shall conquer the world."

- Kevin Bratcher -

English Song


Bruno Mars - Just The Way You Are

Oh, her eyes, her eyes, make the stars look like they're not shining
Her hair, her hair, falls perfectly without her trying
She's so beautiful, and I tell her every day

Yeah, I know, I know, when I compliment her she won't believe me
And it's so, it's so, sad to think that she don't see what I see
But every time she asks me do I look ok, I say

When I see your face, there's not a thing that I would change
Cause you're amazing, just the way you are
And when you smile, the whole world stops and stares for a while
Because girl you're amazing, just the way you are(yeah)

Her lips, her lips, I could kiss them all day if she let me
Her laugh, her laugh, she hates but I think it's so sexy
She's so beautiful, and I tell her every day

Oh, you know, you know, you know, I'd never ask you to change
If perfect's what you're searching for then just stay the same
So, don't even bother asking if you look ok
You know I'll say

When I see your face, there's not a thing that I would change
Cause you're amazing, just the way you are
And when you smile, the whole world stops and stares for a while
Because girl you're amazing, just the way you are
The way you are, the way you are
Girl you're amazing, just the way you are

When I see your face, there's not a thing that I would change
Cause you're amazing, just the way you are
And when you smile, the whole world stops and stares for a while
Cause girl you're amazing, just the way you are. Yeah

Minggu, 08 April 2012

Active-Passive Voice


Active voice

In most English sentences with an action verb, the subject performs the action denoted by the verb.
    These examples show that the subject is  doing the verb's action.
            
Because the subject does or "acts upon" the verb in such sentences, the sentences are said to be in the active voice.

Passive voice
One can change the normal word order of many active sentences (those with a direct object) so that the subject is no longer active, but is, instead, being acted upon by the verb - or passive.
    Note in these examples how the subject-verb relationship has changed.
            
Because the subject is being "acted upon" (or is passive), such sentences are said to be in the passive voice.
NOTE:   Colorful parrots live in the rainforests cannot be changed to passive voice because the sentence does not have a direct object.
To change a sentence from active to passive voice, do the following:
    1.  Move  the active sentence's direct object into the sentence's subject  slot
             
    2. Place the active sentence's subject into a  phrase beginning with the preposition by
              
    3.  Add a form of the auxiliary verb be to the main verb and change the  main verb's form
              
Because passive voice sentences necessarily add words and change the normal doer-action-receiver of action direction, they may make the reader work harder to understand the intended meaning.
As the examples below illustrate, a sentence in  active voice  flows more smoothly and is easier to understand than the same sentence in  passive voice.
             
            
It is generally preferable to use the ACTIVE voice.

To change a passive voice sentence into an active voice sentence, simply reverse the steps shown above.
    1.  Move  the passive sentence's subject into the active  sentence's  direct object slot
             
    2.  Remove  the auxiliary verb be from the main verb and change main verb's form if needed
            
    3. Place the passive sentence's object of the preposition by into the subject slot.
           
Because it is more direct, most writers prefer to use the active voice whenever possible.
The passive voice may be a better choice, however, when
  • the doer of the action is unknown, unwanted, or unneeded in the sentence
             Examples
             
  • the writer wishes to emphasize the action of the sentence rather than the doer of the action
            Examples
               
  • the writer wishes to use passive voice for sentence variety.

Time Quotes


Poetry Love


I Will Wait

 I want to hug you soon ...
Take tuk accompanied my steps ...
But not right to me ...
And would I force it ...
You're still not mine ...
Not yet a beloved ...
And I have not become part of your life ...
Not to be the one who always fill your heart ...
Although I felt tired last ...
I will continue to hold ...
All the longing ...
And the unspoken desire ...
You're like a month ...
Glow lit the dark night ...
Seen by my eyes without a barrier ...
But you're tough unattainable
But I must endure ...
Because you've given me hope ...
Would love an almost impossible unattainable
Although I know it's not as easy as reaching tuk mu ...
Because what you want is not just me ...
Thou daughter of the king who yearn ...
Many princes and knights who tried to reach you ...
While I'm just a nameless soldier for you ...
Yes ... I do not soldier named ...
Not as strong as the warrior ...
No semenawan prince ...
Only a dreamer with a piece of poetry alone ...
But I'm definitely waiting for you ...
Waiting for an answer from my love ...

Sabtu, 07 April 2012

Phrasal Verb

Phrasal verb

From Wikipedia, the free encyclopedia
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A phrasal verb is a combination of a verb and a preposition, a verb and an adverb, or a verb with both an adverb and a preposition, any of which are part of the syntax of the sentence, and so are a complete semantic unit.
Sentences may contain direct and indirect objects in addition to the phrasal verb.[1] Phrasal verbs are particularly frequent in the English language. A phrasal verb often has a meaning which is different from the original verb.
According to Tom McArthur:
...the term ‘phrasal verb’ was first used by Logan Pearsall Smith, in "Words and Idioms" (1925), in which he states that the OED Editor Henry Bradley suggested the term to him.
Alternative terms for phrasal verb are ‘compound verb’, ‘verb-adverb combination’, ‘verb-particle construction’(VPC), AmE ‘two-part word/verb’ and ‘three-part word/verb’ (depending on the number of particles), and multi-word verb (MWV).[2]
Prepositions and adverbs used in a phrasal verb are also called particles in that they do not alter their form through inflections (are therefore uninflected: they do not accept affixes, etc.). Because of the idiomatic nature of phrasal verbs, they are often subject to preposition stranding.

Phrasal verbs in informal speech

Phrasal verbs are usually used informally in everyday speech as opposed to the more formal Latinate verbs, such as "to get together" rather than "to congregate", "to put off" rather than "to postpone", or "to get out" rather than "to exit".

Grammar of phrasal verb

Some phrasal verbs take an object (transitive); others do not take an object (intransitive).
  • The plumber soon sorted out the shower problem (with object)
  • The path branched off to the river (no object)

Literal usage

Many verbs in English can be combined with an adverb or a preposition, and readers or listeners will easily understand a phrasal verb used in a literal sense with a preposition:
  • "He walked across the square."
Verb and adverb constructions can also easily be understood when used literally:
  • "She opened the shutters and looked outside."
  • "When he heard the crash, he looked up."
An adverb in a literal phrasal verb modifies the verb it is attached to, and a preposition links the verb to transform the verb in the idiomatic and literal phrasal verb.

Idiomatic usage

It is, however, the figurative or idiomatic application in everyday speech which makes phrasal verbs so important:
  • "I hope you will get over your operation quickly."
  • "Work hard, and get your examination over with."
The literal meaning of "to get over", in the sense of "to climb over something to get to the other side", no longer applies to explain the subject's enduring an operation or the stress of an examination which they have to overcome.
It is when the combined meaning of verb plus adverb, or verb plus preposition is totally different from each of its component parts, that the semantic content of the phrasal verb cannot be predicted by its constituent parts and so becomes much more difficult for a student learning English to recognise. Attempts have been made, however, to identify some system in the way that a given particle contributes to the meaning of a phrasal verb, and it seems likely that an understanding of conceptual metaphor may be helpful here. As Lakoff and Johnson show[3], most particles have, initially, a literal meaning which is spatial or "orientational", and then metaphorical meanings attach to them in ways that are (fairly) systematic (see also Knowles & Moon 2006: 17[4]). One phrasal verbs dictionary for learners of English, Macmillan Phrasal Verbs Plus, provides annotated charts for 12 of the most common particles used in phrasal verbs, tracing the way they develop non-literal uses on the basis of conceptual metaphor, and showing how the "meaning" of each particle in a phrasal verb is, to some degree at least, predictable[1][2].
In her introduction to "Longman Dictionary of Phrasal Verbs, What this dictionary contains", Rosemary Courtney includes as a third category
3. Idioms which are formed from phrasal verbs, such as let the cat out of the bag. These idioms are printed in heavy type. Idioms have a meaning which is different from the meaning of the single words, and usually have a fixed word order.[5]
Courtney then cites among many other examples in the dictionary such phrases as "to add insult to injury", "to add fuel to the flames", "to leave someone in the lurch", "to scare someone out of their wits", etc.

Phrasal verb patterns

A phrasal verb contains either a preposition or an adverb (or both), and may also combine with one or more nouns or pronouns.

Particle verbs

Phrasal verbs that contain a particle such as up (in some traditions called an adverb, in others a preposition) are called "particle verbs", and are related to separable verbs in other Germanic languages. There are two main patterns: intransitive and transitive. An intransitive particle verb does not have an object:
  • "When I entered the room he looked up."
A transitive particle verb has a nominal object in addition to the particle. If the object is an ordinary noun phrase, it can usually appear on either side of the particle, although very long noun phrases tend to come after the particle:
  • Switch off the light.
  • Switch the light off.
  • Switch off the lights in the hallway next to the bedroom in which the president is sleeping.
With some transitive particle verbs, however, the noun phrase object must come after the preposition. Such examples are said to involve "inseparable" phrasal verbs:
  • The gas gave off fumes. (not *The gas gave fumes off.)
Other transitive particle verbs still require the object to precede the particle, even when the object is a long noun phrase:[6]
  • I cannot tell the Beatles apart. (not *I cannot tell apart the Beatles.)
  • I cannot tell the various members of the band called the Beatles apart.
However, some authors[7]:p. 19 would dispute this, arguing that the particle must be adjacent to the verb whenever the noun phrase is lengthy and complicated.
With all transitive particle verbs, if the object is a pronoun, it must, with just one type of exception, precede the particle:
  • Switch it off. (not *Switch off it.)
  • The smell put them off. (not *put off them)
  • They let him through. (not *they let through him)
The exception[7]:pp.17, 20 occurs if the direct object is contrastively stressed, as in
  • Figure out THESE, not THOSE.
Gorlach[8]:p.40 asserts that the position of the noun phrase object before or after the particle has a subtle effect on the degree to which the phrase has resultative implication. For example, the simple verb eat makes no claim on whether or not the result of the eating is that the apple is completely consumed; whereas the phrasal verb eat up seems to make different claims on this result, depending on the position of the particle with respect to the object:
  • to eat the apple (neutral for ‘complete’ result)
  • to eat up the apple (greater possibility for ‘complete’ result)
  • to eat the apple up (compulsory claim for ‘complete’ result)

Prepositional verbs

Prepositional verbs are phrasal verbs that contain a preposition, which is always followed by its nominal object. They are different from inseparable transitive particle verbs, because the object still follows the preposition if it is a pronoun:
  • On Fridays, we look after our grandchildren.
  • We look after them. (not look them after)
The verb can have its own object, which usually precedes the preposition:
  • She helped the boy to an extra portion of potatoes.
  • with pronouns: She helped him to some.
Prepositional verbs with two prepositions are possible:
  • We talked to the minister about the crisis.

Phrasal-prepositional verbs

A phrasal verb can contain an adverb and a preposition at the same time. Again, the verb itself can have a direct object:
  • no direct object: The driver got off to a flying start.
  • direct object: Onlookers put the accident down to the driver’s loss of concentration.

Phrasal nouns

[9] Phrasal nouns consist of a verb combined with a particle. The particle may come before or after the verb.
  • standby "we are keeping the old equipment on standby, in case of emergency." (ready to be used if necessary)
  • back-up "Neil can provide technical backup if you need it" (support)
  • onset "the match was halted by the onset of rain" ( start of something unpleasant)
  • input "Try to come to the meeting- we'd value your input" (contribution)
Some such nouns have a corresponding phrasal verbs but some do not, the phrasal verb set on exist but it means attack, the verb related to onset is set in. If the particle is in first place, then the phrasal noun is never written with a hyphen, if the particle comes second, then there is sometimes a hyphen between the two parts of the phrasal noun.

Phrasal verbs and modifying adverbs

When modifying adverbs are used alongside particle adverbs intransitively (as particle adverbs usually are), the adverbs can appear in any verb/particle/adverb positions:
  • "He unhappily looked round."
  • "He looked unhappily round."
  • "He looked round unhappily."
The particle adverb here is "round" and the modifying adverb is "unhappily". ("Round" is a particle because it is not inflected — does not take affixes and alter its form. "Unhappily" is a modifying adverb because it modifies the verb "look").
With a transitive particle verb, the adverb goes either before the verb or after the object or particle, whichever is last:
  • "He cheerfully picked the book up."
  • "He picked up the book cheerfully." (not *picked cheerfully up the book)
  • "He picked the book up cheerfully."
Prepositional verbs are different from transitive particle verbs, because they allow adverbs to appear between the verb and the preposition:
  • "He desperately looked for his keys."
  • "He looked for his keys desperately."
  • "He looked desperately for his keys."

Phrasal verbs combined with special verb forms and clauses

Courtney[5] also includes special verb forms and clauses in phrasal verb constructions.
Phrasal verbs combined with wh-clauses and that-clauses
Sentences which include verb + particle + object(s) + wh-clauses
  • "The teacher tries to dictate to his class what the right thing to do is"
= transitive verb + preposition (dictate to) + indirect object (his class) + wh-clause (what the right thing to do is).
  • "My friends called for me when the time came"
= transitive verb + preposition (called for) + pronoun (me) + wh-clause (when the time came).
  • "Watch out that you don’t hit your head on the low beam"
= intransitive verb + adverb (watch out) + that-clause (that you don’t hit your head on the low beam).
Phrasal verbs combined with verb-ing forms
  • "You can’t prevent me from seeing her"
= transitive verb + pronoun (prevent me) + preposition (from) + verb-ing form (seeing) + pronoun (her).

Jumat, 06 April 2012

Spoof Text


Spoof Text

Definition and Social Function of Spoof
Spoof is a text which tells factual story, happened in the past time with unpredictable and funny ending. Its social function is to entertain and share the story.

Generic Structure of Spoof
1. Orientation
2. Events
3. Twist

Language Feature of Spoof
1. Focusing on people, animals or certain things
2. Using action verb; ate, ran, etc
3. Using adverb of time and place
4. Told in chronological order


The Example Of  Spoof Text

That Phone is Off


Hortatory Eksposition

Hortatory Exposition
My Green School

Plants are important for life on earth. Plants can produce oxygen gas (O2) that very useful for human’s life to did respiration. Without that, maybe nobody who still alive for a long time. Because like humans and animals desperately need plants in carrying out their life. For humans, plants have some main functions as produce oxygen gas and also can be consumed by them to getting energy. For animals can used as energy sources in carrying out their life. Plants are also important for environment. The green plants are valuable assets owned by the world. Plants are make the environment looked like beauty environment and so comfortable. Plants can reduce the pollution’s there. Also can make calm down anyone’s mind who looked it. If we were sad, we can happy when we saw that. Greenery plants in everywhere shows that we love our nature and cares about that. No matter if we want to maintaining the plants. Because of that, all of the plants can make healthy our life. Same like that, my school SMAN 1 CILEUNGSI did a program called thousand plants to make anyone more cares to the environment. This program was very good and very useful for because with the plants can make our school looked green and fresh. In addition, also can assist teaching and learning program the example is education of environment. Class room that hotly before, now should be cool. So that teaching and learning program can be comfortable for students. So much influence plants to make a school be the green school. This is make the student’s spirit to maintain the plants. Than beneficial to the environment, green school also add our knowledge of the environment. This program is planned by our grandmaster and in order to make this school as one of the school that has thousand plants. The purpose is to make us more cares of the plants and could benefit from the school that shades of the green. I think this program has been good realized. The school must do something to maximize that program. Like the teacher should review all plants in front of class. What the response of students, positive or not for them. And then how’s the result of the plants that they maintain. This is done in order to build awareness of the students that the treating plants like caring for babies that need to be more careful and full of loving.

Narrative Text


Narrative text is a text which contains about story (fiction/non fiction/tales/folktales/fables/myths/epic) and its plot consists of climax of the story (complication) then followed by the resolution.
A narrative text is a text amuse, entertain and deal with actual or vicarious experience in different ways. Narrative deal with problematic events which lead to a crisis or turning point of some kind, which in turn finds a resolution.
The narrative text short story is telling of a story or an account of a sequence of events. One of the four traditional forms of composition (along with description, exposition, and persuasion). Narration differs from exposition, which can also relate a sequence of events, in that narration need not be factual and may be written from the perspective of a character in the text.
The generic sctucture of a narrative text:
1. Orientation: Sets the scene and introduces the participants.
2. Complication: A crisis arises
3. Resolution: The crisis is resolved, for the better or for worse.
4. Re-orientation: Optinal
5. Evaluation: A stepping back to evaluate the plight
The example of narrative text :
Rabbit and Bear

Narrative Text

Once upon a time, there lived as neighbours, a bear and a rabbit. The rabbit is a good shot. In contrary, the bear is always clumsy ad could not use the arrow to good advantage.


One day, the bear called over the rabbit and asked the rabbit to take his bow and arrows and came with bear to the other side of the hill. The rabbit was fearing to arouse the bear's anger so he could not refuse it. He consented and went with the bear and shot enough buffalo to satisfy the hungry family. Indeed he shot and killed so many that there was lots of meat left after the bear and his family had loaded themselves and packed all they could carry home.

The bear was very gluttonous and did not want the rabbit to get any of the meat. Th e rabbit could not even taste the blood from the butchering as the bear would throw earth on the blood and dry it up. The poor rabbit would have to go home hungry after his hard day's work.

The bear was the father of five children. The youngest child was very kind to the rabbit. He was very hearty eater. The mother bear always gave him an extra large piece of meat but the youngest child did not eat it. He would take it outside with him and pretended to play ball with the meat. He kicked toward the rabbit's house and when he got close to the door he would give the meat with such a great kick. The meat would fly into the rabbit's house. In this way, the poor rabbit would get his meal unknown to the papa bear.